kinietiškas niekutis – karšto bato spirito lygis
nuo tada, kai nusipirkau tris kojas, vis pafotkinu vakarais (naktimis). jei pažiūrit į mano flickerį, tai jau turėjot pastebėti. kad ir kaip derinau, bet trikojis šiek tiek trumpokas, tai susikuprinus per tamsų ieškiklį žiūrėti, ar tiesus naktinis horizontas, yra belenkoks pita (šiknaskaudis). mačiau jau senai jebėjuje prie kinietiškų bezdelūškių tokius žaislinius gulsčiukus, bet buvau nusiteikęs skeptiškai. o dabar noriu pasakyti abejojantiems – šitas niekutis tikrai vertas tų dviejų svarų. nusipirkau ir jau išbandžiau – neteko tiesinti nė vienos nuotraukos, tik prieš tai kontroliuojamose sąlygose reikia patikrinti, kur tiksliai turi stovėti burbuliukas, nes maniškiame tai jis turi bazuotis šiek tiek kairiau ;] mačiau, kad yra variantai su trimis burbuliukais, bet realiai tai man užtektų ir vieno. antram dar sugalvoju pritaikymą, bet trečiam jau trūksta fantazijos.
aš nežinau šito fotografo, konceptas pasirodė įdomus. bet patumblerinau grynai dėl tos vienos fotkės. labai tapybiška, tik ant šito moniko kažko labai tamsi atrodo.
Jo, suprantu, aš irgi užkibau ant to kabliuko. Bet visas albumas – “odd not in a good way”, google tuom padeda įsitikinti :-)
pkmk tmblr
iškarpos iš interneto. sukauptos per tumblr.com servisą. nereguliariai ir neįpareigojančiai.
Schwartz sounds just like my uncle expounding on how he single-handedly won WWII. Was he also drunk when he said all this stuff?
The Technology Chronicles : Former Sun CEO Schwartz dishes on patent fights with Jobs, Gates
The most egregious of such suits was filed against Sun by Kodak (yes, the film photography people). Egregious, because Kodak had acquired a patent from a defunct computer maker (Wang) for the exclusive purpose of suing Sun over an esoteric technology, Java Remote Method Invocation (“Java RMI” – not exactly the first thing that comes to mind when you hear “Kodak”). Given how immature Kodak’s technology business was (they were just starting out in the digital world), we had little we could respond with – I suppose we could’ve hunted for a Wang-like opportunity to hit at their core, but Kodak was a customer, which certainly complicated things, and the time and expense involved would’ve been prohibitive.
Good Artists Copy, Great Artists Steal « What I Couldn’t Say…
Rafer sez:
A few years after I left Kodak, I was deposed in Sun’s countersuit to this ridiculous lawsuit. Yuck.
(via rafer)
read the post of Jonathan Schwartz. software patents are crazy. and if you are small company you are shit out of luck.
120Cameras Yashica , Mamiya Nikon Cameras
i bought two cameras from this guy (one for me, one for a friend), while he was still on ebay. don’t know the story why he left ebay, but here he is selling cameras on his own ;]
if you want to play with medium format grab a yashica or mamiya. he ships from pakistan ;]
Не достало еще? Да, достало! Это ужасно, скучно и пошло! Get a true color! (via FARColorer truemod)
nice colors in far commander editor ;]
Everything about the new Tron Legacy trailer is badass.
do i need to see original tron before this?
The Panic Status Board by Cabel, Steve and Neven. WebKit-powered via AJAX and various APIs, displayed full-screen in Chrome running on a Samsung professional display. Fantastic.
Denis 2009.12.30 16:59
http://astore.amazon.com/photobookdaily-20/detail/3865215386
Customer Reviews
Gray Matter
The majority of photographs in this book are taken in and around an airport terminal. There are photos of the landing strip, parking lot, some interior shots, windows, etc. They are also all printed with a dark grey tone. The cover image of the chairs is actually one of the brightest and most colorful images. But imagine a parking lot or the concrete of an airport terminal covered with a dark gray haze. Apparently this is due to the artistic technique but it creates a monotonous and gimmicky feel. There are also some additional shots of a woman which are in a snapshot, blurred style that feel very unlike the landscape images. The whole effect is odd and dark but not in a good way. I actually like the cover image a lot but the rest of the book doesn’t hold up.
Not what I expected
I like very much this photographer, but this book is one work which I really don’t understand/like.