kinietiškas niekutis – karšto bato spirito lygis
nuo tada, kai nusipirkau tris kojas, vis pafotkinu vakarais (naktimis). jei pažiūrit į mano flickerį, tai jau turėjot pastebėti. kad ir kaip derinau, bet trikojis šiek tiek trumpokas, tai susikuprinus per tamsų ieškiklį žiūrėti, ar tiesus naktinis horizontas, yra belenkoks pita (šiknaskaudis). mačiau jau senai jebėjuje prie kinietiškų bezdelūškių tokius žaislinius gulsčiukus, bet buvau nusiteikęs skeptiškai. o dabar noriu pasakyti abejojantiems – šitas niekutis tikrai vertas tų dviejų svarų. nusipirkau ir jau išbandžiau – neteko tiesinti nė vienos nuotraukos, tik prieš tai kontroliuojamose sąlygose reikia patikrinti, kur tiksliai turi stovėti burbuliukas, nes maniškiame tai jis turi bazuotis šiek tiek kairiau ;] mačiau, kad yra variantai su trimis burbuliukais, bet realiai tai man užtektų ir vieno. antram dar sugalvoju pritaikymą, bet trečiam jau trūksta fantazijos.
aš nežinau šito fotografo, konceptas pasirodė įdomus. bet patumblerinau grynai dėl tos vienos fotkės. labai tapybiška, tik ant šito moniko kažko labai tamsi atrodo.
Jo, suprantu, aš irgi užkibau ant to kabliuko. Bet visas albumas – “odd not in a good way”, google tuom padeda įsitikinti :-)
pkmk tmblr
iškarpos iš interneto. sukauptos per tumblr.com servisą. nereguliariai ir neįpareigojančiai.
he is professional dying man (via VHX)
buzz:
iOS UI Proportions (from Principia Arbiter: New Visual Proportions for the iOS User Interface, via Timoni West)
One thing I’ve noticed in a lot of custom iOS UIs (particularly ones designed by engineers) is a lack of attention to proportions. As this diagram demonstrates, the standard iOS UI has a visual rhythm—a major rhythm of 44 pixels and a minor rhythm of 11 pixels to be exact. When you work within this system for your sizing, spacing, and padding, your app will generally look and feel harmoniously iOS-like, even if the UI is heavily custom. When you don’t, it tends feels subtly off (as in the iPod playlist screen example given in the article).
This is super weird. Why are so many more babies born in the summer? I guess the winter blues really get to people? Crazy …
birthdays distribution is not uniform.
Who’s Going to Phoot Camp 2012? Find out now — don’t miss these super creative self-portraits! (Shown: Dan Busta’s incredible self portrait)
Face flapping photography
Tadao Cern sets people up in front of powerful fans and takes their pictures. Instant fun house:
Many more of Cern’s photos are available on Facebook. (via colossal)
Tadas on jkottke!
Internet artists, for all of their digital-native wisdom, should know better than to think .JPEGs are a viable commodity when they’ve seen multi-billion dollar industries like music, film, and newspapers run around like baffled idiots for the past decade trying to figure out why they can’t sell MP3s, MOVs, and PDFs like they used to in traditional media.
[#DIGART] Why Your .JPEGs Aren’t Making You A Millionaire | The Creators Project
is recaptcha digitising google street images?
PROMETHEUS-themed pop-up Paris Metro station, installed at Station Saint-Martin which was closed since 1939 and has become a “ghost station” of sorts.
Charlize Theron on her character in Prometheus (by RidleyScott2012)
Denis 2009.12.30 16:59
http://astore.amazon.com/photobookdaily-20/detail/3865215386
Customer Reviews
Gray Matter
The majority of photographs in this book are taken in and around an airport terminal. There are photos of the landing strip, parking lot, some interior shots, windows, etc. They are also all printed with a dark grey tone. The cover image of the chairs is actually one of the brightest and most colorful images. But imagine a parking lot or the concrete of an airport terminal covered with a dark gray haze. Apparently this is due to the artistic technique but it creates a monotonous and gimmicky feel. There are also some additional shots of a woman which are in a snapshot, blurred style that feel very unlike the landscape images. The whole effect is odd and dark but not in a good way. I actually like the cover image a lot but the rest of the book doesn’t hold up.
Not what I expected
I like very much this photographer, but this book is one work which I really don’t understand/like.